Model:
SEQ-3400SKU:
SEQ-3400Availability:
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$2,265.99
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The Sequential PRO 3 is a multi-filter mono/3-voice paraphonic synthesizer featuring 3 x VCO: 2 Analog + Waveta.
The Sequential PRO 3 is a multi-filter mono/3-voice paraphonic synthesizer featuring 3 x VCO: 2 Analog + Waveta. It includes 3 x Classic Filter Types with specific filter characteristics. The unit also has 3 x Syncable LFOs with Phase Offset and Slew per LFO, five waveshapes, and 4 x ADSR Envelopes with Delay. Digital Effects include stereo delay, BBD delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter, and super plate reverb.
It also features tuned feedback for extra-aggressive tonal destruction, programmable analog distortion, a 32-slot modulation matrix with over 46 mod sources and over 171 mod destinations, 4 x Control Voltage inputs and outputs, and a 16 track sequencer with three modes: normal, gated, and trigger. The sequencer supports 16 tracks and 4 linkable 16-step phrases per-step ratcheting, duration, and velocity. Multiple playback modes are available including forward, reverse, forward/reverse, and random.
It also supports real-time/step input, rests, and variable.
- Type: Monophonic and 3-Voice Paraphonic with Individually Gated Envelopes per Osc
- Oscillators: 3 x Oscillators 2 x Analog, Voltage-Controlled Oscillators 1 x DSP-Based Digital Oscillator Analog Oscillators Wave Shapes: Triangle, Saw, Pulse with Variable Shape Modulation / Pulse Width on Each Digital Oscillator: 32 Digital Wavetables of 16 Waves Each with Wave Morphing, Plus Classic Wave Shapes (Sine, Triangle, Saw, Variable-Width Pulse) and Super Saw Digital Oscillator 3 Can Function as an LFO for Complex Wavetable-Based Modulation White Noise Generator Hard Sync, Per-Oscillator Glide, Os
- Filters: 3 x Classic Filter Types Filter 1: 4-Pole, 24 dB/Octave, Prophet-6 Low-Pass Filter Filter 2: Classic 4-pole, 24 dB/Octave, Transistor Ladder Filter with Optional Resonance Compensation Filter 3: 2-Pole, 12 db/Octave, OB-6 State-Variable Filter. (Continuously Variable Between Low-Pass, Notch, and High-Pass Operation, with Optional Band-Pass Mode)
- LFO: 3 x Syncable LFOs with Phase Offset and Slew per LFO Five Waveshapes: Triangle, Saw, Reverse Saw, Square, and S&H
- Envelopes: 4 x ADSR Envelopes with Delay (Filter, VCA, and 2 Auxiliary Envelopes) Envelopes Freely Assignable to Multiple Modulation Destinations All Envelopes Can Repeat/Loop
Specifications
Box Dimensions (LxWxH)
32.2 x 19.6 x 10"
Control Voltage
4 x Control Voltage (CV) Inputs and Outputs for Interfacing with Modular Synths and Other CV-Compatible Devices Parameter Options to CV Outputs: Oscillators, LFOs, Envelopes, Sequencer Tracks, and any Other Source within the Modulation Matrix (Runs at Audio Rates) Gate Out for Triggering External CV-Compatible Devices (Any CV In Can be Used as a Gate Input)
Controls
60+ Knobs 70 Buttons Enable Deep, Comprehensive Editing with Minimal Menu Diving Backlit Pitch and Mod Wheels Easily Visible in Low-Light Situations with a Smooth, Precise Response Independently Adjustable Upper and Lower Pitch Wheel Range Position-Sensitive Latchable Touch Slider for Enhanced Interactivity and Control Full-Sized, 3-Octave, Semi-Weighted Keyboard with Velocity and Aftertouch
Digital Effects
Dual Digital Effects Stereo Delay, BBD Delay, Chorus, Flanger, Phaser, Ring Mod, Vintage Rotating Speaker, Distortion, High-Pass Filter, Super Plate Reverb
Dimensions
26.5 x 13 x 3.5" / 67.3 x 33 x 8.9 cm
Distortion
Programmable Analog Distortion
I/O
4 x 5-Pin DIN MIDI (In, Out, Thru, and Out 2) USB: Type-B Port for Bidirectional MIDI Communication CV Inputs: 4 x 1/8" / 3.5 mm with ±10 V Range CV Outputs: 4 x 1/8" / 3.5 mm with ±10 V Range Gate Out: 1 x 1/8" / 3.5 mm Sustain/Footswitch: 1/4" / 6.35 mm Expression: 1/4"/ 6.35 mm External Audio Input: 1/4"/ 6.35 mm Main Stereo Output: 2 x 1/4" / 6.35 mm Headphone Out: 1/4" / 6.35 mm
Memory
512 User 512 Factory Programs Playlist Mode for Generating Easily Accessible Set Lists of Your Favorite Programs
Modulation
32-Slot Modulation Matrix Over 46 Mod Sources and Over 171 Mod Destinations Modulation Assignment Buttons Enable Quick and Easy Modulation Routing Mod Matrix Runs at Audio Rates
Package Weight
21.995 lb
Power
Universal IEC AC Power Inlet for Internal Power Supply 100 to 240 VAC, 50/60 Hz Maximum Power Consumption: 30 W
Type
Monophonic and 3-Voice Paraphonic with Individually Gated Envelopes per Osc
Weight
16 lb / 7.3 kg
Arpeggiator
Arpeggiator with Up, Down, Up+Down, Random, Assign Modes Syncs to MIDI Clock and External Audio and CV Inputs Relatching Arpeggiation Runs Concurrent with Sequencer for Arpeggiated Patterns with Parameter Automation
Envelopes
4 x ADSR Envelopes with Delay (Filter, VCA, and 2 Auxiliary Envelopes) Envelopes Freely Assignable to Multiple Modulation Destinations All Envelopes Can Repeat/Loop
Filters
3 x Classic Filter Types Filter 1: 4-Pole, 24 dB/Octave, Prophet-6 Low-Pass Filter Filter 2: Classic 4-pole, 24 dB/Octave, Transistor Ladder Filter with Optional Resonance Compensation Filter 3: 2-Pole, 12 db/Octave, OB-6 State-Variable Filter. (Continuously Variable Between Low-Pass, Notch, and High-Pass Operation, with Optional Band-Pass Mode)
Oscillators
3 x Oscillators 2 x Analog, Voltage-Controlled Oscillators 1 x DSP-Based Digital Oscillator Analog Oscillators Wave Shapes: Triangle, Saw, Pulse with Variable Shape Modulation / Pulse Width on Each Digital Oscillator: 32 Digital Wavetables of 16 Waves Each with Wave Morphing, Plus Classic Wave Shapes (Sine, Triangle, Saw, Variable-Width Pulse) and Super Saw Digital Oscillator 3 Can Function as an LFO for Complex Wavetable-Based Modulation White Noise Generator Hard Sync, Per-Oscillator Glide, Os
Sequencer
16 Track Sequencer Three Modes: Normal, Gated, and Trigger 16 Tracks and 4 Linkable 16-Step Phrases Per-Step Ratcheting, Duration, and Velocity Multiple Playback Modes: Forward, Reverse, Forward/Reverse, Random Supports Real-Time/Step Input, Rests, and Variable-Length Sequences Syncs to MIDI Clock and External Audio and CV Input Sequences Freely Assignable to any Modulation Destination
Feedback
Tuned Feedback with Grunge for Extra-Aggressive Tonal Destruction
LFO
3 x Syncable LFOs with Phase Offset and Slew per LFO Five Waveshapes: Triangle, Saw, Reverse Saw, Square, and S&H
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